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Outside the Wall - rerecorded.The source of this recording is unsure. The first verse is removed and the breathing is louder - Another Brick in the Wall, Part 3 - rerecorded with a faster tempo - Goodbye Cruel World - unchanged - Hey You - scene deleted - Is There Anybody Out There? - classical guitar rerecorded - Nobody Home- musically unchanged but TV shows are different -Vera - unchanged - Bring the Boys Back Home - extended with choir - Comfortably Numb - bass line different from album - The Show Must Go On - not included - In the Flesh - rerecorded completely with a brass band - Run Like Hell - remixed and shortened - Waiting for the Worms - shortened, but the chant is extended - Stop! - re-recorded completely with Geldof unaccompanied on lead vocals - The Trial - Re-mixed with longer instrumental intro, and audience cheering sounds added. Song changes from album: - When the Tigers Broke Free - added - In the Flesh? - extended/rerecorded with Bob Geldof's vocals - The Thin Ice - extended/remixed - Another Brick in the Wall, Part 1 - unchanged - The Happiest Days of Our Lives - remixed - Another Brick in the Wall, Part 2 - remixed - Mother - rerecorded/lyrics changed - Goodbye Blue Sky - remixed - Empty Spaces - deleted, in favor of: - What Shall We Do Now? - added - Young Lust - unchanged screams were added - One of My Turns - musically unchanged, but Jenny Wright recites the groupie's dialogue - Don't Leave Me Now - remixed.

In addition, at least one shot from 'Hey You' that does not appear elsewhere in the film was used in the original theatrical trailer. In the DVD commentary, Roger Waters and Alan Parker explain that most of the footage from 'Hey You' still exists in the original negatives because it was used in various scenes throughout the rest of the movie, as do several other out-takes and deleted shots (including one of Pink in the soldiers' hospital throwing things at the walls and windows, and some animated shots from 'The Wall' show). The cut material was thought to be lost for some time, until a workprint (a rough cut used to build the edit before the original negatives are cut to match) was found to contain the 'Hey You' segment, although only in black and white, heavily spliced, and with the editor's markings all over the film. As they watched, they felt the film becoming more and more depressing, and on the spur of the moment decided that 'Hey You' would be cut, both to lighten the tone, and because it was running too long, in addition to its duplicating shots already used in other songs.

During editing, Roger Waters and Alan Parker watched a rough cut of what they had filmed thus far.

Scenes for the song 'Hey You' were filmed, showing British police in riot gear facing off against a mob.

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